Garry Bertholf is an assistant professor in the Department of African American Studies at Wesleyan University. Before joining the faculty at Wesleyan, Dr. Bertholf was an Andrew W. Mellon Visiting Faculty Fellow in the Humanities Unbounded Initiative at Duke University. From 2017 to 2019, he was an assistant professor of English and Africana Studies at Davidson College, where he was elected to honorary membership in the Omicron Delta Kappa Honor Society by the Delta Circle’s graduating class of 2019; and from 2014 to 2017, he was an assistant professor of Digital Rhetorics, Comparative Media, and Civic Culture in the Department of English at Clemson University, where he received both the Award of Distinction from the National Scholars Program’s graduating class of 2017 and the 2015-2016 Faculty Member of the Year Award from the College of Architecture, Arts and Humanities. Professor Bertholf was trained at the University of Pennsylvania, where he was the first recipient of the Ph.D. in Africana Studies, the inaugural postdoctoral fellow of the Program on Race, Science, and Society, an associate scholar of the Penn Humanities (now Wolf Humanities Center) Forum on “Violence,” and a lecturer of cultural studies and criticism in the Critical Writing Program of the Center for Programs in Contemporary Writing. In addition, he has held previous appointments as a visiting assistant professor of Africana Studies in the Department of History and Politics at Drexel University and as a preceptor for Cornel West in the Center for African American Studies at Princeton University. He has organized a number of academic symposia and colloquia, ranging in theme from “The Future of Hip-Hop” (2010) and “The Future of Race and Science” (2014) to “Slavery, Violence, and the Archive” (2019) and “Black Feminist Ecologies” (2021). Together with the students in his “Black Literary Theory” course, he recently organized a hybrid salon on “The Future of Black Studies” (2022). His research and teaching focus on Africana literature and literary criticism, as well as black cultural production and intellectual history. His work has appeared or is forthcoming in Anthurium: A Caribbean Studies Journal, the Journal of Popular Music Studies, south: a scholarly journal (formerly the Southern Literary Journal), Viewpoint Magazine, Diacritik, The Martyr’s Shuffle, the Philosophical Quarterly, the Nation Divided series at the University of Virginia Press, and the Faulkner and Yoknapatawpha series at the University Press of Mississippi. He is also the author of Black Sophists: A Critique of Demagoguery (Ph.D. Diss., University of Pennsylvania, 2013) and paired transcriptions of John Coltrane’s 1957 Carnegie Hall performances of Thelonious Monk’s “Epistrophy.” During the 2022-2023 academic year, Professor Bertholf’s current book project (tentatively titled “The Black Charismatic: Demagoguery and the Politics of Affect”) will be supported by a residential faculty fellowship at Wesleyan’s Center for the Humanities and by the Provost Fellowship (also at Wesleyan).
The Future of Hip-Hop Symposium at Drexel University (12/02/2010). From left to right: Lupe Fiasco, Garry Bertholf, and Michael Eric Dyson.